Book Review: Don’t Let the Forest In by CG Drews

It hadn’t hurt, the day he had cut out his own heart.

Don’t Let the Forest In by CG Drews

LENGTH: 327 pages

GENRES: Fantasy, Horror, LGBT+, Young Adult, Fiction

PUBLISHER: Feiwel & Friends

RELEASE DATE: 29 October 2024

BOOK DESCRIPTION:

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him.

Kill for him.

High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality – Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more.

But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork – whimsically macabre sketches of the monsters from Andrew’s wicked stories.

Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster – Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

My Review

Below them something scraped softly over the snowy path. The world smelled of sweet cloying decay, rotten leaves, and earth.

Happy Friday the 13th! What a perfect day to review a horror novel! Anyway, I really liked Don’t Let the Forest In. I had a feeling that I would, but my gut isn’t always correct when it comes to books, so it was nice that I was right this time.

The characters were all very compelling. I liked the main character, Andrew Perrault. From the get go, it’s immediately apparent that he has flaws and that there’s a lot going on with him. He’s a more reserved protagonist, but I didn’t mind that at all. He’s also one of my new favorite unreliable narrators. Thomas Rye was also a great deuteragonist. His personality both contrasts and complements Andrew’s very well, and they match each other nicely. They’re a writer and an artist – a perfect pairing. I enjoyed the side characters as well, like Lana, Chloe, as well as Dove, Andrew’s twin sister.

I really liked how surreal the story felt, both because of the prose and because of the way the narration is. There’s something not quite right about everything going on and it itches at the back of your mind throughout most of the plot, until things finally come to a head near the end of the novel.

“I think someday you’ll hate me.” Thomas’s voice stretched with a loneliness Andrew had never heard before. “You’ll cut me open and find a garden of rot where my heart should be.”

Andrew let the silence sharpen between them, waited until Thomas’s breath caught in quiet anguish from being made to wait. “When I cut you open,” Andrew finally said, “all I’ll find is that we match.”

The romance was also well done. I’m not always into books where most of the romance is just yearning. But because of all the horrific things going on, it felt fitting. It really fits in well with the rest of the narrative. And it also helped that Andrew and Thomas both had a lot of natural chemistry.

The horror aspect was probably my favorite thing about Don’t Let the Forest In. I preferred it over the last book I read that focused on horror, Snow Drowned. (Though I do appreciate Eldritch horror sometimes as well.) I tend to prefer it when it’s macabre and surreal like it is here. The way the writing is also accentuates this facet of the novel really well, with the unnatural line breaks within sentences and paragraphs, as well as emphasized and repeated words. I’ve heard people found it reminiscent of E.E. Cummings, and I find that I agree.

Sometimes there was no stopping pain. There was just seeing how much you could swallow before it spilled out your throat.

I also found several elements about the book reminiscent of The Other by Thomas Tryon, an old horror book from the early 1970s. (If you’re also read it, you’ll know what I’m getting at.) And because parts of this book reminded me so much of it, I was able to catch many of the twists extremely early on (I figured out one of them by chapter two or three). This isn’t even close to a bad thing, because I love getting to the end of a book even if I’ve figured things out and being validated that I guessed correctly. The author’s writing style itself is entertaining enough where it also kept me very engaged through the whole novel, as well.

Last but certainly not least, the art here was also amazing, and not just the cover either (though I love that the most). The interior sketches are phenomenal, and they help highlight so many of the scenes that they’re included in. It was great to get a visual of some of the monsters. I also liked the little writings from Andrew’s notebook scattered throughout most of the book, too.

To write something nice, he’d need something nice to say. But his ribs were a cage for monsters and they cut their teeth on his bones.

So yeah, Don’t Let the Forest In was an absolutely solid book. I enjoyed basically everything about it honestly, though not quite enough for a perfect star rating. I’m not sure why – maybe because I’ve read The Other already, and that had already set such a high standard. This was still an excellent novel though. Definitely recommend it.

Anyway, as always, thank you to everyone so much for reading, and I hope you have an awesome day/night!

See ya ~Mar


MY LINKS:


WWW Wednesday: 3/11

Happy Wednesday everyone!

WWW Wednesday is a weekly meme that used to be hosted at A Daily Rhythm, but has been taken over by Sam @ Taking on a World of Words. Now, without further ado, let’s get into the 3 Ws!

The 3 Ws of WWW Wednesday:

What are you currently reading?

What did you recently finish reading?

What do you think you’ll read next?

The Thing I’m Currently Reading

Brighter Than Nine by June CL Tan

CURRENT STATUS: 6%

CURRENT FEELS: 😆 (very excited)

✯✯ I’m really looking forward to this! One of my most anticipated reads – and sequels – of this year! ✯✯

The Thing I Finished Reading Recently

Don’t Let the Forest In by CG Drews

★★ I really enjoyed this book. Review coming within the next couple of days! ★★

The Thing I Probably Going to Read Next

One Piece (Volumes 67 – 68 – 69: Punk Hazard) by Eiichiro Oda

☆☆ Not fully decided though I’m pretty sure it’s gonna be continuing with the next arc of One Piece, which is Punk Hazard and directly followed by Dressrosa. I’ve heard Punk Hazard is a good arc, so I’m looking forward to it. ☆☆

What books has everyone been reading lately? What have you thought of them? What are you thinking of reading next?

Anyway, thank you to everyone for reading, and I hope that you have a great day/night!

See ya ~Mar

Stolen Midnights by Katherine Quinn | Book Review

Lies, like dreams, tended to turn into nightmares.

Stolen Midnights by Katherine Quinn

Stolen Midnights by Katherine Quinn

SERIES: Stolen Midnights #1

LENGTH: 464 pages

GENRES: Fantasy, Young Adult, Fiction

PUBLISHER: Delacorte Press

RELEASE DATE: 3 February 2026

BOOK DESCRIPTION:

The first in a new magical young adult romantasy duology from the New York Times bestselling author of To Kill a Shadow. A palace darling and a thief join forces after he unwittingly steals a necklace with the power to change their world forever.

In the city of Andalay, the ruling Fates bestow gifts among society’s most favored. When Damien, a cold and hardened thief, is hired to steal one of those gifts – meant for the “princess” of Ward One, Wren Hayes – he finds himself entangled in a web of secrets.

The gift? A locket containing his own photograph.

Once the locket is opened, hidden truths unravel, shedding light on the ruthless ways of the upper class. Yearning for the three Fates and the magical gifts they bestow, the lords of Andalay will go to any length to keep their power – including murder.

Brought together by destiny, and fighting a dangerous temptation that’s becoming harder to resist, Wren and Damien navigate a seedy world where the truth can destroy not only their lives, but the city itself. 

My Review

When the clock chimed midnight on an Aurilian’s eighteenth birthday, a remarkable and utterly beguiling event would occur.

It’s a little later than I intended, but it turned out I had a lot of feelings about this book. And unfortunately, for me at least, Stolen Midnights didn’t quite live up to my expectations.

Don’t get me wrong, there were definitely some things to like – and even love – about this book. But I found myself annoyed more often than not by just as many other things, if not more. I have a lot to say about this novel, as I mentioned, so strap in!

The Characters and Story

There was no question in my mind that Wren Hayes and I had been destined to meet. And without a doubt, our lives were now tied together in a way that would be impossible to unravel.

Wren Hayes is our female lead. At the start of the novel she’s a rich girl expecting the accustomed gift of a magical object that the elite receive on their eighteenth birthdays. But she is left wanting, as it has been stolen by Damien, the male protagonist to this story. He’s basically your typical thief character, sassy and suave (or at least he thought so) with a vulnerable side. And unfortunately, I didn’t care much for either of them. Especially early on – Wren is pretty bratty and naive, and I don’t like the way Damien flirts with Wren for the first half of the novel. But, I do think both of them grew some by the climax of the novel, and I was rooting for them at that point a little. I just wish they’d both stop making stupid decisions.

I found the side characters more interesting this time around, like Ruby and Grayson and Everett, and I was honestly more interested in their backgrounds and stories than I was the MCs. The antagonist kind of came a little out of nowhere for me, though it made sense it was them, but I was screaming at the characters constantly about how the villain’s accomplice was right there stop being stupid it’s so obvious. But I digress – that’s how it goes sometimes with these kinds of novels.

The plot for Stolen Midnights was pretty decent, though it got bogged down a little bit by the main characters and their antics and stupidity. It’s also a relatively simple story with a bit of a mystery going on throughout, and the latter is honestly the only thing that kept me going for a while. Until the missing persons part of the plot was introduced, then I had to know what was up. The author was pretty good at seeding along a mystery, and I wish that that had more focus on it. But instead it was the romance.

The Romance and Writing

A finger pressed into my chest, startling me. “You’ve been watching me,” Wren accused-correctly-doing her very best to sound intimidating. Such an adorable yet incompetent attempt.

“Obviously.” I shrugged, pressing deeper into that little finger of hers. “You were practically begging to be robbed.” Again.

“You would be the expert,” she snipped.

I’m not gonna lie, I didn’t like the romance here. I didn’t think Wren and Damien had any chemistry with each other, at any point in the novel. I also hated how they were constantly sniping at one another. And yes, I get that this was (an attempt at) an enemies to lovers plot, but then I’d rather there wasn’t literal immediate insta-lust happening. Like seriously immediate – basically as soon as they have their first proper conversation. And then it just didn’t stop. This should’ve been more of a slow-burn. But it wasn’t, and I think that the romance suffered for it.

The writing was… okay. It certainly could’ve been better, but it was YA, which doesn’t always have the best quality. It’s not an excuse, because I think YA deserves better, but it is what it is. The prose seemed almost middle grade though, which felt at odds with the numerous cringe worthy lust filled scenes throughout. What I mean to say is: the writing felt like it should’ve been more mature, to match Stolen Midnights tones and themes.

The Cover and World Building

One day our world would change, and all it took to start a revolution was one person.

I know it might be hard to believe at this point, but there were things I quite enjoyed about this book. The cover art and sprayed edges for one thing, are absolutely phenomenal. I almost passed on this novel, or at least put it on my tentative TBR for later, but I couldn’t just walk by that book cover art and ignore it. And combined with the title, there’s a downright lethal combination there. This book was very, very pretty. But I’ve already gushed about the cover art enough in another post.

The world building and the magic system are also interesting. I really liked how the characters frequently talk about places outside of the city of Andalay, and that there’s a map at the beginning of the book. I love maps in books.

The magic system is also intriguing. I found myself invested in the way the knowledge of it evolved as the characters discovered more about how it worked.

The lore and history sprinkled all over Stolen Midnights was also fascinating. I loved the little excerpts at the beginning of some of the chapters, predominantly Wren’s. Not just because it distributed relevant lore for each chapter or two, but also because it tells the reader that Wren is also interested in the history of her world, and that’s one of the few things I liked about her.

The only thing I felt was odd about it was how the lore and the divine leaders of Andalay – the Fates – affected the way the city was run. It’s a patriarchy and women seem to have hardly any rights, but the Fates are women as well. It just seems weird to me that the society is structured that way, especially since the Fates themselves also live in the city with everyone – it doesn’t seem like it should be a patriarchy at all. I understand that they manipulate certain things about how Andalay is run, but nowhere in the book is it mentioned that they’re manipulating it into a patriarchy. I guess we as the reader are just meant to infer that? I don’t know, it seemed a little sloppy is all.

Final Thoughts

But I often got ahead of myself. First I needed to find where Wren Hayes had run off to.

Something told me I should’ve had one more glass of whiskey.

Though I didn’t enjoy a lot of what Stolen Midnights had to offer, there were a few things that I really liked about it. There’s a lot of stuff set up for the sequel here, too, and it seems like it might be more lore and magic focused (though there’s definitely still going to be a lot of romance as well), so I might enjoy it more, if I decide to read it. This book really feels like one half of a whole, or a very long prologue.

Also, I couldn’t find a place to mention this earlier, but several aspects of this novel reminded me of Once Upon a Broken Heart and its sequels. Down to one of the big twists in the book, as well as the big event that happens at the ending. I think it shares the most similarities with the second book, and I suspect the sequel to this book might share some with the last book in the trilogy. They also had a lot of the same vibes and some of the same tropes. I think that a lot of that stuff, however, was executed a little better in Once Upon a Broken Heart. If you like Stephanie Garber’s works, though, there’s a good chance you’ll enjoy this book.

Anyway, as always, thank you to everyone so much for reading, and I hope you have an awesome day/night!

See ya ~Mar


MY LINKS: